Electronic music used pure sounds, completely calibrated. You had to think digitally, as it were, in a way that allowed you to extend serial ideas into other parameters through technology.
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Luc Ferrari Quote
“I was born in Paris, and I haven't moved, except until now - I live in the suburbs and I hate it.”
Source: Quotables — alvations/Quotables (CC0 1.0 dataset)
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So the ideology was that: use sounds as instruments, as sounds on tape, without the causality. It was no longer a clarinet or a spring or a piano, but a sound with a form, a development, a life of its own.
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When the Domaine Musical started up, I wasn't part of it. They were the major players in contemporary music at that time, braodcasting old and new composers' work. And I wasn't one of them.